Irving Berlin’s Nine Rules for Writing a Popular Song

Irving Berlin’s Nine Rules for Writing a Popular Song

First – The melody must musically be within the range of the average voice of the average public singer. The over-voice professional singer is the song writer’s salesman, the average-voice public his customers. The salesman-singer cannot do justice to a song containing notes too high, too low, or otherwise difficult to sing; and the customer will not buy it.

Second – The title, which must be simple and easily remembered, must be “planted” effectively in the song. It must be emphasized, accented again and again, throughout verses and chorus. The public buys songs, not because it knows the song, but because it knows and likes the title idea. Therefore sacrifice lines you are proud of, even sacrifice rhyme and reason if necessary, in order to accentuate the title line effectively.

Third – A popular song should be sexless, that is, the ideas and the wording must be of a kind that can be logically voiced by either a male or a female singer. Strive for the happy medium in thought and words so that both sexes will want to buy and sing it.

Fourth – The song should contain heart interest, even if it is a comic song. Remember, there is an element of heart-longing in the most wildly syncopated “Ah’m goin’ back to Dixie” darky “rag” ever written.

Fifth – The song must be original in idea, words, and music, Success is not achieved, as so many song writers mistakenly believe, by trying to imitate the general idea of the great song hit of the moment.

Sixth – Your lyric must have to do with ideas, emotions, or objects known to everyone. Stick to nature – not nature in a visionary, abstract way, but nature as demonstrated in homely, concrete, everyday manifestations.

Seventh – The lyric must be euphonious – written in easily singable words and phrases in which there are many open vowels.

Eighth – Your song must be perfectly simple. Simplicity is achieved only after much hard work, but you must attain it.

Ninth – The song writer must look upon his work as a business, that is, to make a success of it he must work and work, and then WORK.

Previous
Previous

Daddy’s Arms

Next
Next

Singer/Songwriters What is Your Story?